TMM: It’s Not At All About Midnights

Some people like to write late at night. When they’re all by themselves. When there’s nothing but silence. Utter silence. Heartbreakingly quiet.

Others like to write early in the morning.

Or mid afternoon. At a crowded cafe.

Or on a bus. Scribbling on a notepad.

This is not about the different habits, this is about the fact that habits are just that: stuff you get used to doing to such an extent that you cannot imagine it doing any other way.

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Find Your Fire

“if it doesn’t come bursting out of you
in spite of everything,
don’t do it.
unless it comes unasked out of your
heart and your mind and your mouth
and your gut,
don’t do it.”
Charles Bukowski

Passion. Defined as a strong and barely controllable emotion. Fire. Defined as a destructive burning of something. Sounds pretty bad now, doesn’t it? But, if you think about it for a while, creation is a destructive process. Or is it the other way around?

Never mind.

But I do wonder, did you find your passion? Are you sure? Is it the thing that controls you? Make you want to jump out of the bed in the morning? The thing you can’t live without?

You did not?

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You Either Die an Artist or Live Long Enough to See Yourself Become a Creative Entrepreneur

The artist. A solitary genius. A creator of beauty so sacred that we can’t help but love and fear at the same time.

“He’s a true artist,” we find ourselves saying, and it’s these words put together that conjure up the vision of someone whose inexorable destiny was to create, even at the expense of having to endure a lifetime of humility and frustration and social alienation.

The true artist is often misunderstood. He’s utterly and inconsolably alone with his art. And it is that art, that we all revere, that we’d think of as a bridge, that art is actually a wall. The artist hides behind this wall, refusing to face reality.

But times are changing. The artist has little choice in the matter: he either dies an artist or lives long enough to see himself become a creative entrepreneur.

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The Ideal Reader

reader2

I’d say that I’ve come a long way from my high school years, when I was struggling to find people who’d be interested in reading my stories. I’m not going to lie: it’s important to know that someone reads your stuff, that someone cares. Makes you feel less alone, and isn’t that one of the reasons we write?

And I appreciate that, and I’m truly grateful for being able to present my ideas or ask questions, to expect a response every single time I need one. But the truth is, we never write for a bunch of people. Yes, we talk a lot about finding our target audience, about all the ways we can improve how we reach our target audience, but that soon becomes a vague term, one that is used to define different people, who only share a number of preferences.

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Suspension of Disbelief… And Why It’s So Popular

From Game of Thrones to the trend of vampire novels, post-apocaliptic stories, hard sci-fi, cyberpunk, steampunk and all other genres, we’ve fast become addicted to science fiction, fantasy, and horror.
Why?

Why such a departure from what “normal” looks like?

Maybe because normal kinda sucks?

Maybe because almost every specie on this planet dreams for the purpose of avoiding reality? Of filtering the stress dealt to its central nervous system during the day?

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Art is The New Black

art_black

Art isn’t something to be discussed in a few lines, so I feel like I didn’t make it any justice. The reason I believe so, is because the other day I only managed to establish one of the rules, today I feel like covering another aspect.

We are surrounded by many forms of art ; movies, music, poetry, novels, paintings, whatever floats your boat. Everyone is free to embrace it as they wish but things aren’t going exactly like they used to and I am aware that sounds like a cliche. Unfortunately, it’s true.

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Showcase: Hokusai

“From around the age of six, I had the habit of sketching from life. I became an artist, and from fifty on began producing works that won some reputation, but nothing I did before the age of seventy was worthy of attention. At seventy-three, I began to grasp the structures of birds and beasts, insects and fish, and of the way plants grow. If I go on trying, I will surely understand them still better by the time I am eighty-six, so that by ninety I will have penetrated to their essential nature. At one hundred, I may well have a positively divine understanding of them, while at one hundred and thirty, forty, or more I will have reached the stage where every dot and every stroke I paint will be alive. May Heaven, that grants long life, give me the chance to prove that this is no lie.”

Hokusai
Katsushika Hokusai, self-portrait, 1839

Katsushika Hokusai (c. October 31, 1760 – May 10, 1849) was a Japanese artist, ukiyo-e painter, and printmaker of the Edo period.

Born in Edo (modern day Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji, which includes the iconic print, The Great Wave off Kanagawa.

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