“The unreal is more powerful than the real. Because nothing is as perfect as you can imagine it. Because it’s only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles. Wood rots. People, well, they die. But things as fragile as a thought, a dream, a legend, they can go on and on. If you can change the way people think. The way they see themselves. The way they see the world. You can change the way people live their lives. That’s the only lasting thing you can create.”
Life’s all about cause and effect. A man without a cause has no effect on the world. A man without a cause crumbles under the pressure of the mundane. Day in and day out he struggles to find a purpose, a reason, a battle worth fighting. He feels as if wasting time, as if something bigger than himself is always running away, day after day after day.
No man is an island, and a way a man sees himself will affect the way he sees those around him. Those he wants to love. Those he wants to save. Those he wants to protect.
And a man must, at times, be willing to sacrifice who he is in order to do any of those things.
The artist. A solitary genius. A creator of beauty so sacred that we can’t help but love and fear at the same time.
“He’s a true artist,” we find ourselves saying, and it’s these words put together that conjure up the vision of someone whose inexorable destiny was to create, even at the expense of having to endure a lifetime of humility and frustration and social alienation.
The true artist is often misunderstood. He’s utterly and inconsolably alone with his art. And it is that art, that we all revere, that we’d think of as a bridge, that art is actually a wall. The artist hides behind this wall, refusing to face reality.
But times are changing. The artist has little choice in the matter: he either dies an artist or lives long enough to see himself become a creative entrepreneur.
Henri de Toulouse-Lautrec was a French painter, printmaker, draughtsman, caricaturist, and illustrator whose immersion in the colourful and theatrical life of Paris in the late 19th century allowed him to produce a collection of enticing, elegant, and provocative images of the modern, sometimes decadent, affairs of those times.
I was doing a bit of research into Pablo Picasso for the showcaseof his earliest works, and I read that he created some fifty thousand works during his life. Fifty thousand. If you were to do one per day, it would take you some 136 years. A hundred and thirty six years…
Do you understand the level of commitment that is required of one if he desires to become phenomenal? One of the best? To be considered a genius by his peers? You literally have to break yourself in half. To be so obsessed about whatever it is you’re doing that you end up sacrificing a lot of other stuff.
Yes, you can have anything you want, but you’ll have to give up on (almost) everything else to get it.
Now, Leonardo DaVinci.
Areas of interest: invention, painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography. The father of paleontology, ichnology, and architecture. One of the greatest painters of all time. Credited with the invention of technology we never properly developed until hundreds of years after his death, such as the helicopter, the parachute, or the tank. Continue reading “You’re No Leonardo DaVinci and That’s Okay”→