Georges-Pierre Seurat (1859–1891) was a French artist and painter, known for his vibrant colors and the use of tiny brushstrokes of contrasting colors. His intense interest in line, color, color theory, and optical effects formed the basis of Divisionism, whereas the use of layering small brushstrokes and dots formed the basis of Pointillism. His iconic late 19th-century painting, A Sunday Afternoon on the Island of La Grande Jatte (1884), paved the way for the initiation of Neo-impressionism.
A beautiful collection of woodblock prints from the prominent Kacho-ga artist, Watanabe Seitei. He was one of the first Japanese painters to visit Europe for attending the 1878 International Exhibition and was also awarded a medal.
“The unreal is more powerful than the real. Because nothing is as perfect as you can imagine it. Because it’s only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles. Wood rots. People, well, they die. But things as fragile as a thought, a dream, a legend, they can go on and on. If you can change the way people think. The way they see themselves. The way they see the world. You can change the way people live their lives. That’s the only lasting thing you can create.”
Life’s all about cause and effect. A man without a cause has no effect on the world. A man without a cause crumbles under the pressure of the mundane. Day in and day out he struggles to find a purpose, a reason, a battle worth fighting. He feels as if wasting time, as if something bigger than himself is always running away, day after day after day.
No man is an island, and a way a man sees himself will affect the way he sees those around him. Those he wants to love. Those he wants to save. Those he wants to protect.
And a man must, at times, be willing to sacrifice who he is in order to do any of those things.
Many of you would love to write better short stories or poems, more compelling blog posts, more intriguing articles. And you’ve probably heard all the old advice by now. Practice makes perfect. Get your 10,000 hours in. Just show up and write.
And of course, these are all great ideas, but implementing them takes a lot of time. It’s not like you can write for 10,000 hours in a week or so. It’s not physically possible.
Or as they say…
What if I were to tell you there are a couple of ways you can improve your writing right now? No years and years of practice required.
What would you say?
Well, you’d be glad you decided to read this post.
French symbolist and post-impressionist painter Odilon Redon (1840–1916) was passionate about art from a young age. Following his fathers wishes he took up architecture, but after failing exams he continued with his love of drawing. His interest in Hindu and Buddhist religion blended with a passion for Japonism influenced the astounding drawings we see today.
“From around the age of six, I had the habit of sketching from life. I became an artist, and from fifty on began producing works that won some reputation, but nothing I did before the age of seventy was worthy of attention. At seventy-three, I began to grasp the structures of birds and beasts, insects and fish, and of the way plants grow. If I go on trying, I will surely understand them still better by the time I am eighty-six, so that by ninety I will have penetrated to their essential nature. At one hundred, I may well have a positively divine understanding of them, while at one hundred and thirty, forty, or more I will have reached the stage where every dot and every stroke I paint will be alive. May Heaven, that grants long life, give me the chance to prove that this is no lie.”
Katsushika Hokusai (c. October 31, 1760 – May 10, 1849) was a Japanese artist, ukiyo-e painter, and printmaker of the Edo period.
Born in Edo (modern day Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji, which includes the iconic print, The Great Wave off Kanagawa.
Le Sortie de l’opéra en l’an 2000 is the creation of French illustrator, etcher, lithographer, caricaturist, novelist, and, in his spare time, a bit of a futurologist, Albert Robida.
This 1902 print shows a futuristic view of air travel over Paris, as the artist imagined it would look like in the year 2000. Many types of aircraft are depicted including buses and limousines, police patrolling the skies…