Cristian Mihai (born 25 December 1990) grew up in Constanta, Romania. And he’s still growing up, or at least trying to. Sometimes he writes. Sometimes he gets lucky and writes something good. His favorite painting is “Wanderer above the Sea of Fog” by Caspar David Friedrich. He can’t, however, draw a straight line. No matter how much he tries. Not even with a ruler. And, please, don’t ever ask him to sing.
Oscar Wilde once said that, “Education is an admirable thing, but it is well to remember from time to time that nothing that is worth knowing can be taught.”
Writing as an art can’t be taught, and even though Creative Writing courses and workshops undoubtedly help writers grow, writing is a solitary process, and it’s up to each individual to reach within the confines of his mind for answers.
J.D. Salinger once wrote, “Do you know what I was smiling at? You wrote down that you were a writer by profession. It sounded to me like the loveliest euphemism I had ever heard. When was writing ever your profession? It’s never been anything but your religion. Never. I’m a little over-excited now. Since it is your religion, do you know what you will be asked when you die? But let me tell you first what you won’t be asked. You won’t be asked if you were working on a wonderful, moving piece of writing when you died. You won’t be asked if it was long or short, sad or funny, published or unpublished. You won’t be asked if you were in good or bad form while you were working on it. You won’t even be asked if it was the one piece of writing you would have been working on if you had known your time would be up when it was finished.
Georges-Pierre Seurat (1859–1891) was a French artist and painter, known for his vibrant colors and the use of tiny brushstrokes of contrasting colors. His intense interest in line, color, color theory, and optical effects formed the basis of Divisionism, whereas the use of layering small brushstrokes and dots formed the basis of Pointillism. His iconic late 19th-century painting, A Sunday Afternoon on the Island of La Grande Jatte (1884), paved the way for the initiation of Neo-impressionism.
In this second volume in the critically acclaimed Ancient Book series, indulge yourself as you explore the strange frontiers of sex and science. From instruments of innovation and the Atomic Age to analysis of the mind, body, and seduction of the human form. Featuring broad color, shapely design, supple lines, and evocative commentary, The Ancient Book of Sex and Science is a fine art hardcover collection of images produced by some of the most highly sophisticated animation designers and low-brow artists in the industry.
A beautiful collection of woodblock prints from the prominent Kacho-ga artist, Watanabe Seitei. He was one of the first Japanese painters to visit Europe for attending the 1878 International Exhibition and was also awarded a medal.